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Panasonic VariCam
The Panasonic AG-AC160

The Panasonic AG-AC160

Panasonic has several camcorders with similar build, but different underlying core technologies -- specifically, the AC160/130 and the HPX250. The key difference between them, respectively, is 4:2:0 MP4 GOP at 1920x1080 resolution and AVCCAM recording as high at 21Mbps, versus 10-bit, 4:2:2 independent-frame, 1920 x 1080 resolution AVC-Intra 100 recording. For those who find AVCHD sufficient, but want a full-on camcorder solution without additional workarounds needed compared to more consumer cameras, the AC160 is meant to fit in your hand.

Review
Anthony Burokas
Panasonic VariCam
Leo Ticheli discusses the HD VariCam from Panasonic

Leo Ticheli discusses the HD VariCam from Panasonic

Panasonic's VariCam HD camera is one of the most popular HD units in use today, being used in major and independent films, commercials, corporate and music videos and many other projects. In this article, Creative Cow's Leo Ticheli discusses how the VariCam is used at his company, Leo Ticheli Productions (LTP). LTP bought VariCam back in 2001 and today uses the VariCam in projects that are developed at the two company offices located in Birmingham, Alabama and Atlanta, Georgia.Leo Ticheli, (host of Creative Cow's VariCam forum), discusses his purchase reasons, the image quality, the posting process and some of the projects that the VariCam has been used on. He gives his assessment of the camera, as well as the VariCam's aptness for a broad range of assignments.

Review, People / Interview
Leo Ticheli
Panasonic VariCam
HD Expo's Panasonic VariCam 'VariCamp'

HD Expo's Panasonic VariCam 'VariCamp'

James Kelty has always considered himself more of a writer-director than an editor or cinematographer. But in today's ever-changing production world, like many independent producers working on project videos and/or documentaries, Jim is quickly becoming a skilled editor -- using a CinéWave system armed with Final Cut Pro. Recently, after a long career shooting film, he has begun using video in some of his projects. As part of this move, he attended HD Expo's "VariCamp" in Hollywood in January, 2004, where Jim began his exploration of High Definition using Panasonic's VariCam. Jim concludes that it offers new options to producer-directors and he found HD to have 'the types of innovations that kept making me think hi-def is selling itself short through the constant comparisons to film, and that the technology is essentially creating new visual language and production capability all its own.' Here is his report...

Review
James Kelty
Authors

Anthony Burokas (1)
James Kelty (1)
Leo Ticheli (1)


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