The Ultimate Guide to Flying Drones with Dirk Dallas
: The Ultimate Guide to Flying Drones with Dirk Dallas
New York, NY
© Adorama. All rights reserved.
Join filmmaker, photographer, educator, and drone pilot Dirk Dallas of "From Where I Drone" for this comprehensive guide to getting started, and getting really good, with flying drones. His practical advice covers preparation, calibration, and exercises to master for control of both your drone and its camera.
Dirk is working with the DJI Phantom 4 Quadcopter
in this video, but the same principles apply regardless of the drone you choose, starting with this one: PRACTICE!
To get your copy of Dirk's preflight checklist, subscribe to his weekly "From Where I Drone" newsletter here
Dirk Dallas, creator of "From Where I Drone"
For more from Dirk Dallas, be sure to check out his website, From Where I Drone
. You can also find him on Twitter
and Instagram, both his own account
, as well as his curated feed for the #fromwhereidrone
hashtag. The background image in the title graphic is from Dirk's first drone flight, which he describes here
And for more education and inspiration on cameras, lenses, lighting, production and more, be sure to visit Adorama TV
|Related Articles / Tutorials:|
Blackmagic Design's Epic Hardware Releases for NAB 2019
Blackmagic once again delivers a jaw-dropping lineup of advanced hardware -- ATEM Constellation 8K with built-in Fairlight mixing in the industry's largest live production audio mixer, plus 16 hardware keyers, 24 8K outputs, and more; the New Teranex Mini SDI to HDMI 8K with dual on screen scope overlays, HDR, 33 point 3D LUTs and monitor calibration; HyperDeck Extreme 8K broadcast deck with advanced H.265 recording, touch screen interface, internal cache, built in scopes, HDR, and traditional deck control; and the URSA Mini Pro G2 camera featuring new electronics, Super 35 4.6K HDR image sensor, 15 stops of dynamic range, 300 fps high frame rate shooting, and Blackmagic RAW -- for prices even lower than how low your jaw just dropped reading them.
Making The Forest Leaves Dance for Ridley Scott's Hennessy Short, "The Seven Worlds"
"The Seven Worlds" is the latest advertising epic short directed by Ridley Scott, a marvelous odyssey spanning surreal scenes inspired by the seven tasting notes of Hennessy premium X.O. cognacac. Realizing Scott's unparalleled vision required a masterful team and state-of-the-art technology to assist, that's where London's The Mocap Studio team came in. The mobile motion capture specialists lent their expertise to the project, using Xsens MVN inertial technology to help capture a human performer on-location in the heart of a Czech forest.
Perfecting Audio: Professional Audio Apps for Your iPad
There's huge development going on for professional audio on iPad, whether for recording, hardware control for digital audio workstations, or music creation. Longtime audio engineer Keith Alexander looks at some specific options that audio pros will find indispensible.
Workflow That Plays For Keeps: How Netflix Is Protecting Stories' Futures
If you hope to distribute your work via Netflix, you NEED to know this, but even if you're only interested in the best thinking currently available about how to preserve your own work for an unknown digital future, this is a must-read. Kylee Peña, Coordinator of Creative Technologies & Infrastructure at Netflix, and co-authors Christopher Clark and Mike Whipple share insights on the origin of Netflix archival elements, the importance of color management, and how all this comes together to preserve creative intent -- insights you can start using yourself, today.
Editor Phyllis Housen on Shaping Sundance Jury Prize Winning Drama 'Clemency'
New York-based editor Phyllis Housen first fell in love with movies at a young age and had that love reinforced by a high school teacher who taught film history instead of English class. Her editing career includes both chapters in Tarantino's Kill Bill saga, and most recently, the drama Clemency, winner of the Grand Jury Prize at Sundance. She tells Kylee Peña about the connection between her skills as a drummer and storytelling, the evolution she's seen in the craft of editing, editing films shot in a language she doesn't speak, her use of Adobe Premiere Pro, and how she explains all the blood and violence in the films she edits to her parents.
Light From Light: Editor Courtney Ware on Returning to Sundance
Editor/Director Courtney Ware got her start in the industry as a PA, quickly working her way up to producer before her 21st birthday. After her directorial debut on Sunny in the Dark, she realized a pivot away from producing and into storytelling was in her future, and she got started on being an editor in between directing jobs. The first film to bring her to Sundance was Never Goin’ Back, and she’s back at the festival this year with Light From Light. Creative COW Manager Editor Kylee Peña speaks to Courtney about how her work in each role informs the other, and making her way in the film community from her base in Dallas.
Cutting Honey Boy: Mónica Salazar on Editing The Sundance Hit
One of the most anticipated films at the 2019 Sundance Film Festival, and one of the first features acclaimed as a hit when it premiered, Honey Boy is a semi-autobiographical story penned by actor Shia LaBeouf that spans a decade in the life of a child actor. It’s also the first feature film cut by editor Mónica Salazar, a Mexican immigrant whose story starts with a VCR in Monterrey and a dream to one day land at Pixar. She'd never even heard of USC Film School when friends first encouraged her to transfer in a story of hard work, collaboration, and mentorship.