Editor, VFX artist, post-house owner, and plug-in developer Simon Ubsdell shows you how to edit faster and more easily using the very useful but not often known-about Overlay edit function in Premiere Pro. This Quick Tip tutorial also offers tips on grouping.
Hi, I'm Simon Ubsdell, Creative Director of TOKYO PRODUCTIONS, a UK-based boutique creative shop specializing in movie trailers, sales promos and TV Spots for the independent film sector both in the UK and across Europe.
I've been a film and video editor for over 25 years as well as being involved in motion graphics, sound design and mixing, music composition, visual effects and compositing, 3D modelling and animation, and colour grading, not to mention writing, directing and producing, and most recently, software development.
I am also a developer of plug-ins for the video post-production market having released a range of successful and acclaimed products both under the Tokyo brand and as Hawaiki with Robert Mackintosh.
"What’s the best system for Premiere Pro and After Effects?" This is a question that any editor or content creator has to go through every few years as technology changes. Dave Helmly is the Head of Strategic Development for Professional Video - Broadcast at Adobe, and gets asked this question almost daily by broadcast IT departments, filmmakers, and YouTubers. Before laying out the answers about the right system for you, Dave lays out the additional questions that you need to ask first.
When it was first announced at the Sundance Film Festival in January 2020, the new Productions toolset for Adobe Premiere Pro looked like a dream come true for filmmakers and other visual storytellers who have been looking for next-generation collaboration, including cloud-enabled and remote-friendly workflows. Now that Productions is available starting April 14, Productions is revealed to be every bit as valuable for individual creators who want better organizational tools, greater security, and the ability to share assets including media files across projects with cross-project referencing.
Here's everything you need to know to get complete control over the speed of your footage in Adobe Premiere Pro! Join VFX guru Tobias G for a look at the Rate Stretch Tool, Premiere's Speed/Duration settings, Time Remapping, and more!
Want to give your video that elusive cinematic look? Visual effects guru Tobias Gleissenberger will show you the secrets of the Lumetri Scopes and Lumetri Color panels in Adobe Premiere Pro and After Effects that make it super easy to properly correct & grade your footage.
Color correction is essential to making every video look its best, and Adobe Premiere Pro has a lot of great tools built in that are both powerful and easy to use. Most important, they can help bridge the gap between color displayed on the monitor you're using, and the devices your viewers will be using. Video editing and VFX whiz Tobias Gleissenberger of Surfaced Studios will walk you through the waveform monitor, the RGB parade, and vectorscopes built into Premiere Pro, as well as helping you understand how they work together.
Want to learn how to add music and sound effects to your videos using Adobe Premiere Pro? Tobias Gleissenberger of Surfaced Studio will teach you all you need to know about adding music and sound effects to your projects, creating and using submixes, working with audio keyframes, and much more.
Join Tobias Gleissenberger for an energetic look at the top ten keyboard shortcuts Adobe Premiere Pro. These essential tips will greatly improve your efficiency and help you optimise your editing workflow!
With the popularity of HD-DSLRs, many shooters are recording sound separately because of the camera’s limitations with audio -- but putting audio and video together in post can be a chore. Longtime spots ace Bill O'Neil has been dealing with this over the past several years , and has found PluralEyes from Red Giant to be fast, easy, and effective. Take a look to see if PluralEyes will help you, too.